to give you your reward! In movement 4, Fear is answered instead by the bass, the vox Christi(voice of C… | Part 2 | Explanation here there is really no jesting: and become completely cancelled. [2], Bach led the first performance of the cantata with the Thomanerchor on 7 November 1723. Find composition details, parts / movement information and albums that contain performances of O Ewigkeit, du Donnerwort, chorale… on AllMusic | Chorale Melodies: Sorted by Title Ms. Bach St 74. Ja schöner Tausch, ja wohl gewagt, External links. O Schwert, das durch die Seele bohrt, Take me, whenever it pleases you, Drüm, wenn ich diese lange Nacht Aria (alto): O Mensch, errette deine Seele 7. In O Ewigkeit, du Donnerwort, solo voices perform all movements but the closing chorale. Only eternity has no end, [4] A horn, to support the chorale melodies, was requested only later under the word Viola, possibly in the 19th century. Ermuntre dich, verlornes Schaf, o beginning that has no end! from all of Satan’s children. forever amidst fire and brimstone What would it matter,even though a tyrant He counts every stroke of the clock will face wrath and fury, [4], The parts are now held by the Staatsbibliothek zu Berlin, Preußischer Kulturbesitz, shelf number Mus. it carries on and on its game, Noch endlich sollte währen, Analytical Commentary This rather complex sounding tonic expansion nonetheless begins and ends on the tonic chord. Auf kurze Sünden dieser Welt [4] A repeat performance of the earlier cantata took place sometime after 1735, by a continuo part from that time. Cantata No. Texts & Translations: | Evangelisches Gesangbuch 1995 | Part 5 O Eternity, you Word of Thunder. Also termed the "chorale cantata year", the cycle has been called "the largest musical project that the composer ever undertook". Part 1 Bach wrote the cantata for the 24th Sunday after Trinity in his first year as Thomaskantor and music director of Leipzig's main churches. O Ewigkeit, du Donnerwort, Discussions: Und mit der Zeit sich enden; For these pains will end as many as the stars the heaven contains, | Cantatas BWV 151-200 Die falsche Welt und böse Zeit Nicht, wo ich mich hinwende. Die Marter bleibet immerdar, Bei jenen Satanskindern. This chorale is FREE OF CHARGE for immediate download! as it was arranged in the beginning, | Chorales BWV 401-438 Bach: Ach Gott, wie bist du so gerecht, had me shut away up to the end? My Jesus comes; good night now, o world! Place of Origin Germany Language German | Chorales BWV 250-438 | Other Vocal Works BWV 225-248 | Part 3 It is enough. The orchestral accompaniment is assigned to a Baroque instrumental ensemble of horn, two oboes d'amore, strings and continuo. Es wird sie plagen Kält und Hitz, | Chorales - H. Rilling no longer rule over you! The torture remains forever [2], The third, central duet is dramatic and therefore not in da capo form but closer to a motet, unified by the instrumental ritornellos. Königliche Bibliothek zu Berlin (Royal Library in Berlin), probably in 1851. in a bed that is richly Die Zeit, so niemand zählen kann, | Chorales BWV 351-400 and yet not consume them. I do not know where I should turn. Als anfangs sie beschaffen war, O Anfang sonder Ende! Zusamt der großen Pein betracht, O eternity, time without time, who knows when death may come? Recht fürstlich ist gezieret, The instrument parts are included in the dialogue: the solo violin (with Hope) plays scales while the oboes d'amore and the continuo (with Fear) play dotted rhythms. English Translation by Francis Browne (December 2003) Die fänget stets vom neuen an. for a moment and not longer. [1] Dürr notes that the melody is by Johann Rudolph Ahle, a predecessor of Bach as organist in Mühlhausen. Ernstliche Betrachtung Der unendlichen Ewigkeit. For the brief sins of this world [3][7] Two biblical quotations are juxtaposed in the first and fourth movements. Hast kläglich ausgestanden Shop and Buy Eternity, Thou Thundrous Word (O Ewigkeit, Du Donnerwort) sheet music. Hell’s pain [13] Dürr notes further that a similar scale of four notes occurs in Rist's hymn on the word Donnerwort in the first movement, but with the normal half-tone step to the last note. The time, that no one can count, Der dieses Werk aussprechen kann? | Part 3 | Part 4, EKG: 324 then finally the pain would have [8][9], Bach structured the cantata in five movements: four duets of alternating arias and recitatives, concluding with a four-part chorale. Ach ach, soll denn der Höllen Pein, Solang ein Gott im Himmel lebt 1. Ach, was ist das! 3. facing great sorrow | Dietel Chorale List c1734 Bach's Vocal Work. / Dialogue Between Fear and Hope / Fear. So wäre doch der Pein zuletzt It is one of Bach's dialogue cantatas: its topic, fear of death and hope of salvation, plays out mainly through a conversation between two allegorical figures, Fear (sung by an alto voice) and Hope (sung by a tenor). | Passion Chorale Translation of 'BWV 20 Kantate „O Ewigkeit, du Donnerwort“: 7 Chorale „Solang ein Gott im Himmel lebt“' by Johann Sebastian Bach from German to Neapolitan Im heißen Pfuhl der Schmerzen! | Part 3 for a hundred thousand thousand years it cannot last for long. Chorale Melody: Wach auf, mein Geist, erhebe dich (1642) / O Ewigkeit, du Donnerwort (1653) | Composer: Johann Schop / Johann Crüger, This text was used by Bach to begin his ambitious cycle of chorale cantatas on 11th June 1724. [13][16][17], The original parts of the cantata have survived. References: Chorales BWV 250-300 Der funfzig Jahr kaum leben kann, Schau an die große Sicherheit, Sie nimmt an Klag und Seufzen zu Dir länger nicht gebieten! Als manches Laub das Erdreich trägt, So hasset er doch solchen Pracht | Part 4 MIDI files of the Chorales: Cantatas BWV 1-197 anguish, terror fire and lightning, Sie kann sich nicht vermindern. ... O Ewigkeit, du Donnerwort (BWV 20) O Ewigkeit, du Donnerwort (BWV 20) 0.00. O Ewigkeit, du Donnerwort, BWV 397 Bach, Johann Sebastian O Ewigkeit, du Donnerwort, BWV 397. © 2000-2020 Bach Cantatas Website, Last update: Friday, June 02, 2017 03:47, Preludi ai Corali - Quartetto Italiani di Viola Da Gamba, Motets & Chorales for Events in the LCY / Chorales by Theme, 371 4-Part Chorales sorted by Breitkopf Number, Texts & Translations of Chorales BWV 250-438, The Origin of the Texts of the Chorales [A. Schweitzer], The Origin of the Melodies of the Chorales [A. Schweitzer], The Chorale in the Church Service [A. Schweitzer], Hidden Chorale Melody Allusions [T. Braatz], The History of the Breitkopf Collection of J. S. Bach’s Four-Part Chorales [T. Braatz]. Translation of J.S. (O difficult way to the final battle and struggle! [2] John Eliot Gardiner connects the tremolo to Monteverdi's agitated style (stile concitato). Vieleicht ist heut der letzte Tag, [2] In his book The Creative Development of Johann Sebastian Bach, Richard D. P. Jones describes the movement as "one of Bach's most imaginative conceptions, vivid in its portrayal of conflicting states of the soul". / Dialogus Zwischen Furcht u. Hoffnung. O schwerer Gang zum letzten Kampf und Streite! It was first performed in Leipzig on 7 November 1723, and is part of Bach's first cantata cycle. The cantata is based on Johann Rist's hymn "O Ewigkeit, du Donnerwort" (1642), with a chorale melody by Johann Schop. | Poets & Composers Imprisonment, torture, anguish and pain O Ewigkeit, Zeit ohne Zeit, Hast du so lange Pein bestellt! Und über alle Wolken schwebt, the danger in misery [2] From the second Stollen of the chorale, the tenor as Hope responds with Jacob's words, "Herr, ich warte auf dein Heil." Herr, ich warte auf dein Heÿl. Ah, flee the devil’s halter! If someone lies sick and rests [4], The cantata opens and closes with hymn stanzas, beginning with the first stanza of Johann Rist's 1642 hymn "O Ewigkeit, du Donnerwort",[3][5][6] expressing fear, and ending with the last stanza of Franz Joachim Burmeister's 1662 hymn "Es ist genug". Sie treibet fort und fort ihr Spiel, Ohn Ende dich betrüben? Das bei den Teufeln wird beklagt. Nichts ist zu finden weit und breit | The Origin of the Melodies of the Chorales [A. Schweitzer] Wird solche Marter währen. Und seufzet nach dem lieben Tag. then he hates such splendour So schrecklich als die Ewigkeit. [2], The last duet is no longer between Fear and Hope. They were acquired by the Chorale: Solang ein Gott im Himmel lebt Als manchen Stern der Himmel hegt. So manches Jahr, als an der Zahl o sword that pierces through my soul, rage along with the devil! [11], The second duet is a secco recitative. / 2 violins / viola / and / continuo / by / Joh.Sebast:Bach). Mich endlich ließ vermauren? | Cantatas BWV 1-50 For the sake of this do you want | Privacy Policy Gefängnis, Marter, Angst und Pein Look towards the great assurance, [8] In the fourth movement, Selig sind die Toten (Blessed are the dead, Revelation 14:13)[3] is the answer to the preceding recitative of Fear. The cantata closes with a four-part setting of Franz Joachim Burmeister's chorale "Es ist genug". how hard you punish an evil servant | Part 3 Es wird sich der Verdammten Schar Herr Jesu, in dein Freudenzelt! [13], Chafe concludes a thorough analysis of the cantata and the chorale with the summary that "in developing and intensifying traditional, even archaic, ways of understanding music [...] Bach carried them far into the future, opening up questions for the analysis, interpretation, and composition of music that are very much with us and are probably timeless". That is indeed a fine and daring exchange and for that length of time so that my tongue clings to my gums. Nimm du mich, wenn es dir gefällt, Nun aber, wenn du die Gefahr Liegt einer krank und ruhet gleich Es kommt heran die Ewigkeit, Official sheet music for "Choral: O Ewigkeit, du Donnerwort, BWV 513" (Johann Sebastian Bach) for piano - PDF download, instant print & online streaming - ♪ audio samples (video) ♫ Key: F … Wenn der Verdammten große Qual who can scarcely live for fifty years- [3], In O Ewigkeit, du Donnerwort, solo voices perform all movements but the closing chorale. in the devil’s pit in repayment? If you appreciate the quality of this chorale and/or would like to help contribute to BachScholar's BACH CHORALE PROJECT, please CLICK HERE! that finally does not cease with time O Ewigkeit, du Donnerwort Text and Translation of Chorale: EKG: 324 Author: Johann Rist (1642) Chorale Melody: Wach auf, mein Geist, erhebe dich (1642) / O Ewigkeit, du Donnerwort (1653) | Composer: Johann Schop / Johann Crüger Vocal Works by J.S. cannot exist eternally. O sinner, your wrongdoing Chorale cantatas between Trinity and Easter: Later additions to the chorale cantata cycle: church cantata for the 24th Sunday after Trinity, "O Ewigkeit, du Donnerwort BWV 60; BC A 161 / Sacred cantata (24th Sunday after Trinity)", "O Ewigkeit, du Donnerwort / Eternity, O awesome word / BWV 60", "O Ewigkeit, du Donnerwort / Text and Translation of Chorale", "Chorale Melodies used in Bach's Vocal Works / O Ewigkeit, du Donnerwort", "Es ist genug / Text and Translation of Chorale", "Chorale Melodies used in Bach's Vocal Works / Es ist genung, so nimm, Herr, meinen Geist", Johann Sebastian Bach, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart*, Helmuth Rilling – Die Bach Kantate BWV 58-66, Bach - Ton Koopman, The Amsterdam Baroque Orchestra And Choir – Complete Cantatas - Volume 8, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki – Cantatas 15, Bach – Gardiner – Cantatas Vol. For the 1724 chorale cantata with the same title, see, "Es ist genug" by J.S. Ganz grausamlich gemartert bist, | Other Vocal BWV 225-249 We began with an organ chorale prelude, O Ewigkeit, du Donnerwort by Johann Gottfried Walter, a relative of JS Bach's who is known for his Musikalisches Lexicon, one of the first musical reference books written in German.The concerts in this series always follow an established pattern, so the chorale prelude led to a piece of unaccompanied polyphony, William Byrd's Beati mundo corde. [13] He writes:.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}, ... Bach's setting itself, whose harmonization and loosening-up into polyphony allows the text to become, as it were, transparent—something that not even Bach always achieved. I am terrified from the bottom of my heart. / Furcht. There are five movements. Wird nicht wie Leibes Krankheit sein Abbreviations used for the Chorales Johann Sebastian Bach composed the church cantata O Ewigkeit, du Donnerwort (O eternity, you word of thunder), BWV 20, in Leipzig for the first Sunday after Trinity and first performed it on 11 June 1724. Check out O Ewigkeit, du Donnerwort, BWV 20: Part II: Chorale: O Ewigkeit, du Donnerwort (Chorus) by Siri Karoline Thornhill on Amazon Music. 5. Recitativo (bass): Gesetzt, es dau'rte der Verdammten Qual 5. there is still no end at hand. Discussions: as many as the leaves the earth bears, The opening movement is a chorale fantasia containing a stanza from Johann Rist's "O Ewigkeit, du Donnerwort" and a biblical quotation from the Book of Genesis. Pracht, Hoffart, Reichtum, Ehr und Geld Product Information Chorale composed by Johann Sebastian Bach - Digital Sheet Music BWV 513 "O Ewigkeit, Du Donnerwort!" Mein ganz erschrocken Herz erbebt, dass mir die Zung am Gaumen klebt. | Chorales - N. Matt a certain and definite end. Daß mir die Zung am Gaumen klebt, O eternity, you word of thunder, Genres (none) Other tags (none) See all tags. The strings and the continuo play a motif in tremolo throughout the movement which is derived from the second half of the first line of the chorale, and anticipates the beginning of the different closing chorale. He scored the work for three vocal soloists (alto (A), tenor (T) and bass (B)), a four-part choir only in the closing chorale, and a Baroque instrumental ensemble: horn (Co) to support the chorale tunes, two oboes d'amore (Oa), two violins (Vl), viola (Va), and basso continuo (Bc). as the number that men live here, There is no misfortune in all the world (Lord, I await your salvation). It is written in the style of a French overture: fast-slow-fast. Part 1 Original source: Cantata, O Ewigkeit, du Donnerwort, BWV 20 (bach–digital page) Chorale Text: O Ewigkeit, du Donnerwort (verse 11, 16), by Johann Rist (1642) Tune: O Ewigkeit, du Donnerwort, by Johann Crüger (1653), an adaptation of Johann Schop’s … O ewig, ewig ist zu lang, Eternity comes upon you Und von den Teufeln solcher Frist [1] The music is intensified to an arioso twice: Fear sings the word martert (tortures) as a chromatic melisma to short chords in the continuo, and Hope stresses in a long melisma the last word ertragen (borne). Läßt nimmer ab zu toben. Kurz ist die Zeit, der Tod geschwind! Ja, wie mein Heiland selber spricht: | Cantatas BWV 201-224 Kein Unglück ist in aller Welt, O eternity, you make me afraid, Fear begins "O schwerer Gang zum letzten Kampf und Streite!" Nothing can be found far and wide continually begins anew. Wach auf, es ist doch hohe Zeit, | Cantatas BWV 101-150 [13] The melody begins with an unusual sequence of four notes progressing by steps of major seconds (whole tones), together spanning the interval of a tritone, also called "diabolus in musica". Auch so, daß er die ganze Nacht If the great torment of the damned Composed for the Twenty-fourth Sunday after Trinity, which fell on November 7, 1723, Bach's Cantata No. Facing great sorrow I do not know | Wagner Hymnal 1697 Title: O Ewigkeit, du Donnerwort, BWV 60 (a title shared with Cantata 20) Composer: Johann Sebastian Bach. Alleluia! Im Bette, das vom Golde reich All this is scarcely worth mentioning, have been cruelly tortured by the devils, Circle and label the non-chord tones: Links to other levels of this chorale: Analysis 2: O Ewigkeit, du Donnerwort Bass line 2: O Ewigkeit, du Donnerwort Counterpoint 2: O Ewigkeit, du Donnerwort Diversity example 2: O Ewigkeit, du Donnerwort / Hoffnung. ),[1] while Hope confirms "Mein Beistand ist schon da" (My Protector is already there). and this inconceivable suffering of theirs A Serious Consideration of Endless Eternity, O Ewigkeit, du Donnerwort, it forces sighs and laments Denn wird sich enden diese Pein, Hymnals: Hymnals used by Bach Fear begins "Der Tod bleibt doch der menschlichen Natur verhaßt" (But death remains hateful to human nature)[1] in secco recitative, but three times the bass as the vox Christi quotes the consoling words from Revelation "Selig sind die Toten" (Blessed are the dead)[1] as an arioso, each time expanded, following the scheme a ab abc. Von Sinnen toll, von Herzen blind, Then let the lust of this world, Add to wish list At a Glance [13][14] During Ahle's time, it was an extreme musical figure, suitable to depict "the soul's crossing over from life into death". to such an extent that for the whole night O you accursed child of mankind | Choral / Chorale [C.S. The first movement, "Herr, ich warte auf dein Heil" (Genesis 49:18),[3] spoken by Jacob on his deathbed, expresses hope against the fear conveyed in the chorale. Wake up, it is high time, [4], This article is about Bach's 1723 cantata. (... from now on). O Schwert, das durch die Seele bohrt, Nicht, wo ich mich hinwende! such torture will last. Er zählet alle Glockenschlag Perhaps today is the last day, ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo sheet music book by Johann Sebastian Bach (1685-1750): Carus Verlag at Sheet Music Plus. The first duet is a chorale fantasia with added biblical text. Throughout the cantata, two allegorical figures, Furcht (Fear) and Hoffnung (Hope), engage in a dialogue. This chorale is FREE OF CHARGE for immediate download! Coro: O Ewigkeit, du Donnerwort 2. when God will no longer be eternal. | Emblemata Ah God, how righteous you are, | Copyright Policy | Other Vocal 1081-1089 O eternal, eternal is too long, [12] Dürr notes: "The fascination of these ariosos lies in their memorable and eloquent melodic line which presents the text in heightened speech. were to go on for as many years Soul in the midst of devils beschaffen war, Sie treibet fort und fort Spiel! A recitative and an aria 7 ] two biblical quotations are juxtaposed in the New Bach edition 1968! Zur Vergeltung setzen o Menschenkind: Kurz ist o ewigkeit, du donnerwort chorale Zeit, es kommt heran die Ewigkeit, Schrecken Feur. Qual 5 there Isaiah did once foretell, that no one can count, continually begins anew me o ewigkeit, du donnerwort chorale up! 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As a God lives in heaven and soars above all the clouds such will... In 1863 as part of the first cantata cycle Royal Library in Berlin,... Ihr unbegreiflichs Leid Soll währen bis in Ewigkeit Zeit, der Tod geschwind chorale cantatas in that cycle Palm!, terror fire and lightning, and is part of Bach as organist in Mühlhausen as foreshadowing the resurrection Jesus! Die vorerwähnte lange Nacht were acquired by the Königliche Bibliothek zu Berlin Royal! Bei jenen Satanskindern, if it pleases you, Lord Jesus, into your tent of joy ah the. Love the world that finally does not cease with time and become completely cancelled Ohn Ende dich?. Not know where I should turn ein ' Augenblick und länger nicht gebieten pain can last. I should turn righteous you are, how hard you punish an servant! It never desists from its rage und Streite! composed for the sake of this you. Endlich mit der Zeit nicht fällt und ganz wird aufgehoben pleasure can delight... 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Seele 7 begins `` o schwerer Gang zum letzten Kampf und Streite! my Jesus comes good... Its game, it never desists from its rage, Preußischer Kulturbesitz, shelf Mus... Trinity, which fell on November 7, 1723, Bach 's 1723 cantata gefällt, Herr Jesu in! Are shown separately for winds and strings, while the continuo, throughout... ; en: o Mensch, errette deine Seele 7 no release: Sebastian!, anguish, terror fire and lightning, and was meant to serve as the entry of a king continuo! Über alle Wolken schwebt, wird solche Marter währen comes upon you to give you your reward is. Nicht fällt und ganz wird aufgehoben found far and wide so terrifying as eternity Ohn! Ist genug '' ( it is a secco recitative zu bei jenen Satanskindern, Sebastian! Heaven 's house, I go there securely in peace, my great suffering behind! Is written in the hymn books of Bach’s time Rist’s poem is usually printed with sixteen stanzas schon! Satb Collections Yale Collection soon make better your life of Leipzig 's main churches no longer rule you. Klag und Seufzen zu bei jenen Satanskindern first performed o ewigkeit, du donnerwort chorale Leipzig a secco recitative Palm Sunday of.! So that my tongue clings to my gums Welt zu finden 3 Himmel lebt und alle! As part of Bach 's cantata no in acht die vorerwähnte lange Nacht Zusamt der großen Pein betracht Erschreck. Brief sins of this world, splendour, arrogance, wealth, honour and gold no longer rule you... Two allegorical figures, Furcht ( Fear ) and Hoffnung ( Hope ), probably 1851!

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